Assignment #3 Review

I will be discussing Matthew Gaba's piece titled "Spice Bazaar", a 1-minute song created by using the program Reason.

Matt's piece starts off with a very percussive synth lead that is accompanied by another synth pad that provides depth to the sound.  The main synth that comes in at the beginning is enhanced by a reverb effect affixed to the mixer and the resulting sound quality lingers a bit, and thus creating a very cool effect.  Additionally, the synth stays on the beat for the first two beats, but on the last two, it enters in on the offbeat, which creates a syncopated melody.

The synths are then accompanied by the actual percussion section when muffled claps slowly fade in to the sound with a sort of techno drum kit.  The claps come on the 1 and 3 beats of the 4-4 time signature, which amplifies the rhythm of the already-percussive synths.  The drum kit stays on beat for the most part, but because the rhythm involves many 16th notes, the rhythym is very upbeat and catchy.  Later on, the percussion is momentarily interrupted when a crescendo-ing synth pad enters to start the lead melody of the song.  The claps and drum kit then re-enter to provide a propulsive beat to the song.

As the lead synth goes along, various synth melodies underneath accompany the lead synth.  One example, in particular, enters in at 0:26, is a synth with noticeably high reverb/echo which creates a cool ripple effect with the synth sound.  This sound perfectly complements the extremely rapid movement of the drum kit underneath.  For a bit, the percussion section goes out, but a cool riff of claps brings it back in and this plays throughout for the rest of the song until the end synth part.  Then at the very end, this same clap riff ends the piece.

As a whole, the piece works as a very cool, upbeat tune that has moments of unpredictability that make it interesting.  The syncopated beats, the layering of synth melodies, and the momentary absences of sound that get released with even cooler synth leads all combine to create a full sound that works well with each other.

First Reason Song - 1 Minute Long

Disco, House, and Everything In Between

After spending the first weeks of class exploring the history behind Electronic Music, the class has steered more towards the direction of contemporary music and how the electronic music world has developed more recently. More specifically, the emergence of Disco as a precursor to house and techno inspired many musicians to create more propulsive types of beats to their music.

With beats largely following 4-4 Time, disco bands consisted primarily of: drums, keyboards, and guitars. Lots of hi hats came on the off beats, while the bass drums came on the on beats, creating a consistently energetic rhythmic structure. This newfound type of music spurred a sporadic growth within the dance club communities, with clubs such as Studio 54 and Galaxy 21 rapidly growing in popularity.

This type of growth in dance club popularity was perpetuated even more with the growth of house and techno music thereafter. Following the decline of disco as a popular form of music, the house “culture” soon took over. The quick growth in technology of important musical instruments such as drum machines paired with the emergence of the DJ culture defined the house culture. These developments allowed for even more heart-pounding beats and thereby fostered an energized dance environment.

Paradise Garage was one of the prime examples of the house culture at its finest. Led by legendary DJ Larry Levan, Paradise Garage was a haven for music junkies and those next-generation disco club aficionados. And more than anything, it set a defining precedent for other clubs and dance houses to follow.

But the evolution of electronic music didn’t just stop at house. A website titled “A Diversification of Genres” illustrates how each genre of music connected to other forms of music. Music genre titles are all over the place: house, trance, techno, breakbeat, jungle, hardcore, downtempo, europop, jpop, and even “stupid hard dance.”

One of the more popular electronic music artists now is Daft Punk, and Juraj spent the majority of one of our classes dissecting the song “Around the World.” More specifically, the sounds used in the song are: drum machine, bass guitar, synth, “wah wah sound” and vocoder voice. By rearranging these sounds in different ways, then modifying those sounds by adjusting volume and sound quality, Daft Punk achieves a relaxed, yet energized song that is easy to listen to. The cool part about the lecture was the fact that Juraj single-handedly re-created the song on Reason using the sounds themselves, and actually managed to create a successful reproduction of the piece.

In labs, we are using Reason now, after spending a few weeks on radial. The thing that makes Reason so special is the fact that it has so many versatile “instruments” (i.e. software synthesizers) and has so many abilities that seemingly combine the abilities of all the other sequencers together. Whether it be looping tracks, creating more digitized sounds, or just making simple drum machine beats, Reason has it all.

Disco, House, and Everything In Between

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3 20-second Loops

So, using a simple sample of a sequence of 4 simple "click" noises, I constructed 3 20-second loops, by modifying those samples with radiaL.  

Here they are.

-MK

Mics and Programs - what else?

Intro to Electronic Music is finally gaining some steam, in terms of how the programs are used and how the music today connects with the music from the past.  

Specifically, interactive music programs such as Reason, Logic, and RadiaL were used to manipulate specific sound files, compiling them, and then producing specific beats.  For our first project, especially, we were to manipulate completely randomized sound samples, and then use those sound clips to create some sort of rhythm.  Professor Juraj emphasized the importance of this style of Musique Concrete and how the pioneers of electronic music utilized these randomized sound samples to create some of the most fundamentally classic pieces of music.

During lab, all of the students began learning how to use the program "RadiaL," a program that simulates the disk jockeying that a DJ would do during a live performance.  Sound samples are dragged from specific folders onto the program "discs".  From here, the sound samples can be looped over and over to a unifying tempo, so that the sound samples not only match up tempo-wise, but also sound more in unison.  Additionally, the RadiaL software can be used to alter the pitches of various sound samples, and also filtering out certain frequency ranges so that only high or low values are heard.  More rudimentary sound editing techniques, such as "reverse" and "invert," can also be applied and these techniques, combined with the aforementioned editing techniques, can create great sounding samples.

In class, we are exploring the very nature of sound recording and with that, the history of sound recording and how this has affected music artists all over the world.  Juraj mentioned that there are specific types of mics that serve specific purposes.  Some mics purposefully filter out low or high frequencies, the purpose being for live performers to filter out all the ambient sound coming from the audience.  Other mics, such as professional studio mics are used to capture high-quality sound and all audible frequencies - this is possible because the environment for studio recordings is especially quiet, thus allowing the mic to capture all frequencies.

More to come soon...

Assignment #1

Check it out.

The first taste of MK's beats.

Link

-MK